Airiel, Tallies, Niights & Bleeder LIVE at the Grog Shop!
Saturday, November 4th
7:30 doors / 8:30 show
$15 advance / $18 day of show
All Ages
+$3 at the door if under 21
Saturday, November 4th
7:30 doors / 8:30 show
$15 advance / $18 day of show
All Ages
+$3 at the door if under 21
In 1997, Jeremy Wrenn formed a two-man shoegaze project called Airiel. Fast forward to 2022 the now 4 piece live band has toured nationally and internationally, released two full length albums, several singles and five EP’s (including a box set). It’s loud. It’s pretty. You can dance to it.
On “No Dreams for Fayres”, singer Sarah Cogan’s sweet, flowy vocals coast effortlessly atop Dylan Frankland’s crystalline guitars, every note conjuring up the jangled melodies of classic groups like The Smiths, The Sundays, and Cocteau Twins. Under it all, drummer Cian O’Neill’s driving percussion propels the song into the stratosphere. But “No Dreams for Fayres” isn’t merely an exercise in nostalgia — TALLIES’ modern twist adds a tightness, an urgency, an awareness that breathes new life into a beloved genre. “I don’t want to wake up/I just want to lay back down,” sings Sarah on the song’s chorus, encapsulating in few words how just about everyone has been feeling over the past few years. “It’s kind of ironic; I wrote the song pre-COVID, about a time of depression in my teenage years, but as soon as the pandemic started I had the exact same feelings,” says Sarah. “It was insane — how do we have a song that’s about me 10, 15 years ago, and is now relevant to me at 30 years old? It’s pretty funny how that happened.”
Airiel
In 1997, Jeremy Wrenn formed a two-man shoegaze project called Airiel. Fast forward to 2022 the now 4 piece live band has toured nationally and internationally, released two full length albums, several singles and five EP’s (including a box set). It’s loud. It’s pretty. You can dance to it.
Tallies
On “No Dreams for Fayres”, singer Sarah Cogan’s sweet, flowy vocals coast effortlessly atop Dylan Frankland’s crystalline guitars, every note conjuring up the jangled melodies of classic groups like The Smiths, The Sundays, and Cocteau Twins. Under it all, drummer Cian O’Neill’s driving percussion propels the song into the stratosphere. But “No Dreams for Fayres” isn’t merely an exercise in nostalgia — TALLIES’ modern twist adds a tightness, an urgency, an awareness that breathes new life into a beloved genre. “I don’t want to wake up/I just want to lay back down,” sings Sarah on the song’s chorus, encapsulating in few words how just about everyone has been feeling over the past few years. “It’s kind of ironic; I wrote the song pre-COVID, about a time of depression in my teenage years, but as soon as the pandemic started I had the exact same feelings,” says Sarah. “It was insane — how do we have a song that’s about me 10, 15 years ago, and is now relevant to me at 30 years old? It’s pretty funny how that happened.”
“No Dreams for Fayres” is also TALLIES’ first release on new label Bella Union, a partnership that was written across the indie pop firmament since the band’s beginnings. Run by ex-Cocteau Twins bassist Simon Raymonde, Bella Union’s ethos aligns perfectly with TALLIES’ dedication to immersing themselves in the label’s signature sound. “Putting out a record with one of our heroes is extremely cool,” explains Dylan, “being on Bella is a really big deal for us.” It might seem hard to imagine a world in which Sarah and Dylan, writing songs together while studying sound engineering at Algonquin College in Ottawa, would someday be working with one of their favorite musical influences, but fans of the group’s heart-expanding, awe-inspiring tunes won’t be surprised — they’ll know they had it in them all along, and that the journey has just begun.
Produced by Graham Walsh (Holy Fuck) and Dylan Frankland of the band at Palace Sound, Baskitball 4 Life and Candle Recording in Toronto.
TALLIES return with their new single and video (directed and shot by Colin Medley and edited by Christopher Mills) for “No Dreams of Fayres” via Hand Drawn Dracula (CAN), Kanine Records (US) and Bella Union (UK/EU).
“No Dreams for Fayres” is also TALLIES’ first release on new label Bella Union, a partnership that was written across the indie pop firmament since the band’s beginnings. Run by ex-Cocteau Twins bassist Simon Raymonde, Bella Union’s ethos aligns perfectly with TALLIES’ dedication to immersing themselves in the label’s signature sound. “Putting out a record with one of our heroes is extremely cool,” explains Dylan, “being on Bella is a really big deal for us.” It might seem hard to imagine a world in which Sarah and Dylan, writing songs together while studying sound engineering at Algonquin College in Ottawa, would someday be working with one of their favorite musical influences, but fans of the group’s heart-expanding, awe-inspiring tunes won’t be surprised — they’ll know they had it in them all along, and that the journey has just begun.
Produced by Graham Walsh (Holy Fuck) and Dylan Frankland of the band at Palace Sound, Baskitball 4 Life and Candle Recording in Toronto.
TALLIES return with their new single and video (directed and shot by Colin Medley and edited by Christopher Mills) for “No Dreams of Fayres” via Hand Drawn Dracula (CAN), Kanine Records (US) and Bella Union (UK/EU).
Bleeder
Niights
NIIGHTS shifts between atmospheric dream-pop and alternative rock with ethereal female vocals floating above shimmery layers of fuzz and texture, channeling the spirit of 90's shoegaze into finely crafted songwriting. In support of Mercury Rev, Nights will be performing as a duo of singer-songwriter Jenna Fournier and guitarist Frankie Maraldo.