Wand w/ Powers/Rolin Duo
Tue, Sep 20
Show: 8:00 pm
(Doors: 7:00 pm )
$16-$17
WAND
Wand formed in late 2013 in Los Angeles, CA and got right to work playing, writing, and conceptualizing a contrarian path forward–the only viable trail to follow for a rock band that formed in the twenty-teens (and audaciously named itself Wand). The original configuration of the band was Cory Hanson (guitar, vocals), Lee Landey (bass), Evan Burrows (drums) and Daniel Martens (guitar). This was the group that recorded the neuroplastic, dusk-colored Ganglion Reef. Upon hearing it, the suits at GOD? Records demanded the opportunity to release it, and the rest became irrevocable historical fact in 2014. That debut release launched a year of furious activity and near-constant touring, and included the recording and release of both their second and third albums: the strobing sledgehammer Golem (on In the Red), and the psilocybe flicker show 1000 Days (on Drag City). During this time, Daniel left to focus on raising his son, and the remaining three members of Wand regrouped as a trio, with an auxiliary fourth piece for tours.
Wand formed in late 2013 in Los Angeles, CA and got right to work playing, writing, and conceptualizing a contrarian path forward–the only viable trail to follow for a rock band that formed in the twenty-teens (and audaciously named itself Wand). The original configuration of the band was Cory Hanson (guitar, vocals), Lee Landey (bass), Evan Burrows (drums) and Daniel Martens (guitar). This was the group that recorded the neuroplastic, dusk-colored Ganglion Reef. Upon hearing it, the suits at GOD? Records demanded the opportunity to release it, and the rest became irrevocable historical fact in 2014. That debut release launched a year of furious activity and near-constant touring, and included the recording and release of both their second and third albums: the strobing sledgehammer Golem (on In the Red), and the psilocybe flicker show 1000 Days (on Drag City). During this time, Daniel left to focus on raising his son, and the remaining three members of Wand regrouped as a trio, with an auxiliary fourth piece for tours.
Wand
Plum is Wand’s fourth LP since the band formed in late 2013 but their first new album in two years.
After a whirlwind initial phase of writing, recording, and touring at a frenetic clip, their newest document marks a period of rela- tive patience; a refocus- ing and a push toward a new democratization of both process and musi- cal surface.
In late winter of 2016, the band expand- ed their core member- ship of Evan Burrows, Cory Hanson, and Lee Landey to include two new members—Robbie Cody on guitar and Sofia Arreguin on keys and vocals.
From the out- set, the new ensemble moved naturally toward a changed working method, as they learned how to listen to each other and trust in this new format. The songwrit- ing process was consciously relocated to the practice space, where for several months, the band spent hours a day freely improvising, while recording as much of the activity as they could manage. Previously, Wand songs had generally been brought to the group setting substan- tially formed by singer and guitarist Cory Hanson; now seedling songs were harvested from a growing cloudbank of archived material, then fleshed out and negotiated collectively as the band shifted rhythmically between the permissive space of jamming and the obsessive space of critique.
This new process demanded more honest communi- cation, more vulnerability, better boundaries, more mercy and persistence during a year that meanwhile delivered a heaping serving of romantic, familial and political heart- break for everyone involved. They learned more about their instruments and their perceived limitations. Much else fell apart in their personal lives, in their bodies,
and the bodies of those near to them. In this way, Plum lengthened like a shadow underneath a dusking Orange; or rather “Weird Orange,” an affectionate name given to the color of a roulette-chosen, tour-rushed batch of Golem vinyl...an idiom, an inside joke, a talisman, a bookmark, a mood ring. And meanwhile all the shifting weather, the wireless signals, the helicopters overhead.
Weird orange softened, darkened delicately, and rouged itself to a Plum.
The music of Plum focuses teeming, dense, at times wildly multi- chromatic sounds into Wand’s most deliberate statement to date, with a long evening’s shadow of loss and longing hov- ering above the proceed- ings. Plum delicately locates the band’s tan- gent of escape from the warm and comfortable shallows of genre anach- ronism, an eyes-closed, mouth-open leap toward a more free-associative and contemporary logic of pastiche that more honestly reflects the ravenous musical om- nivorousness of the five people who wrote and played it.
After a whirlwind initial phase of writing, recording, and touring at a frenetic clip, their newest document marks a period of rela- tive patience; a refocus- ing and a push toward a new democratization of both process and musi- cal surface.
In late winter of 2016, the band expand- ed their core member- ship of Evan Burrows, Cory Hanson, and Lee Landey to include two new members—Robbie Cody on guitar and Sofia Arreguin on keys and vocals.
From the out- set, the new ensemble moved naturally toward a changed working method, as they learned how to listen to each other and trust in this new format. The songwrit- ing process was consciously relocated to the practice space, where for several months, the band spent hours a day freely improvising, while recording as much of the activity as they could manage. Previously, Wand songs had generally been brought to the group setting substan- tially formed by singer and guitarist Cory Hanson; now seedling songs were harvested from a growing cloudbank of archived material, then fleshed out and negotiated collectively as the band shifted rhythmically between the permissive space of jamming and the obsessive space of critique.
This new process demanded more honest communi- cation, more vulnerability, better boundaries, more mercy and persistence during a year that meanwhile delivered a heaping serving of romantic, familial and political heart- break for everyone involved. They learned more about their instruments and their perceived limitations. Much else fell apart in their personal lives, in their bodies,
and the bodies of those near to them. In this way, Plum lengthened like a shadow underneath a dusking Orange; or rather “Weird Orange,” an affectionate name given to the color of a roulette-chosen, tour-rushed batch of Golem vinyl...an idiom, an inside joke, a talisman, a bookmark, a mood ring. And meanwhile all the shifting weather, the wireless signals, the helicopters overhead.
Weird orange softened, darkened delicately, and rouged itself to a Plum.
The music of Plum focuses teeming, dense, at times wildly multi- chromatic sounds into Wand’s most deliberate statement to date, with a long evening’s shadow of loss and longing hov- ering above the proceed- ings. Plum delicately locates the band’s tan- gent of escape from the warm and comfortable shallows of genre anach- ronism, an eyes-closed, mouth-open leap toward a more free-associative and contemporary logic of pastiche that more honestly reflects the ravenous musical om- nivorousness of the five people who wrote and played it.
Powers / Rolin Duo
